The Golden Era Of Russian Nesting Dolls You’d Wish To Be A Part Of
Matryoshka is considered a traditional Russian doll souvenir, the most popular among Russians and foreign guests, but not everyone knows the history of the matryoshka. Let’s find out what is a Russian nesting doll.
Origin of the Matryoshka
Matryoshka appeared in 1890. Its prototype was the chiseled figure of the Buddhist saint Fukurum, which was brought from the island of Honshu to the estate near Abramtsevo near Moscow. The figure depicted a sage with a head extended from long thoughts, it turned out to be detachable, and a smaller figure was hidden inside, which also consisted of two halves. In total there were five such pupae.
In the image of this toy turner Vasily Zvezdochkin carved the figures, and the artist Sergey Malyutin painted them. On the figures he depicted a girl in a sundress and a scarf with a black rooster in her hands. The toy consisted of eight figures. For the girl was a boy, then again a girl, etc. All of them were somehow different from each other, and the last, the eighth, represented a baby wrapped in diapers. The common name at that time was the name Matryona and so the beloved Matryoshka appeared by everyone.
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History of nesting dolls
The appearance of nesting dolls in Russia at the very end of the last century was not accidental. It was during this period that the Russian artistic intelligentsia began to seriously engage in collecting works of folk art, and also tried to creatively comprehend the national artistic traditions. In addition to the zemstvo institutions, private artistic circles and workshops were organized at the expense of patrons of art, where masters were trained under the guidance of professional artists and household items and toys were created in the Russian style. Interest in the matryoshka is explained not only by the originality of its shape and decorative painting, but also, probably, by a peculiar tribute to fashion for everything Russian, which spread at the beginning of the 20th century thanks to the “Russian seasons” S. Diagilev in Paris.
The annual fairs in Leipzig also contributed to the massive export of nesting dolls. Since 1909, the Russian nesting doll has also become a regular participant in the Berlin exhibition and the annual handicraft market, which took place in the beginning of the 20th century in London. Thanks to a traveling exhibition organized by the Russian Society of Shipping and Commerce, residents of the coastal cities of Greece, Turkey and the countries of the Middle East got acquainted with the Russian doll.
Current presentation of nesting dolls
The creative painting of nesting dolls was becoming more colorful and diverse. Depicted girls in sundresses, in scarves with baskets, knots, bouquets of flowers: Matryoshka dolls depicting shepherds with a pipe and bearded old men with a big stick, a groom with a mustache and a bride in a wedding dress appeared. Fantasy artists did not limit themselves to anything. Nested dolls were arranged in such a way as to respond to their main purpose to present a surprise. So, inside the matryoshka “Bride and Groom” were placed relatives. Matryoshka could be confined to certain family dates. In addition to the family theme, there were nesting dolls designed for deceased relatives. There are also nesting dolls inspired from action figures which were catered for kids around the world.
At the beginning of the 20th century, the general interest in Russian history, encouraged by the Moscow provincial zemstvos, had a great influence on the subject. In the period from 1900 to 1910, a series of matryoshka dolls depicting the ancient Russian knights and boyars appeared, and both of them were sometimes machined in helmet form. In honor of the centenary of the Patriotic War in 1912 were made “Kutuzov” and “Napoleon” with their headquarters. The favorite folk hero Stepan Razin was not overlooked with his closest associates and the Persian princess.
Now these are the dolls created by folk craftsmen from different regions of Russia honoring women. They differ in the proportions of the turning form, painting, which is focused on the demonstration of the features of the national women’s clothing, the characteristic color and details of the costume.
The history of nesting dolls began when, in the nineties of the 19th century, his wife brought a figurine of the good-natured bald old sage Fukurum to Japan at the Mamontov’s Moscow children’s toy workshop. It is believed that this particular toy served as a prototype of the modern doll.
In general, Japan is a country of many male and female gods and each of them is responsible for something: either for the harvest, or helps the righteous, or is the patron of happiness and art. Four more figures of his famous students were invested in that detachable figure of an old sage.
Whole sets of god figures were popular then in Japan. Fukuruma, a bald old man was responsible for happiness, prosperity and wisdom. If you try to trace further, then the roots from Japan will go to China, to India, where split, hollow dolls were also popular. In China, carved bone balls have long existed.